It seems that Shaft decided to make the first two segments thematically similar. Hiding and the ways in which it can be counter-productive was the highlight of both of the first two segments. The first had a good take on Schrödinger's cat. While the possibility for multiple outcomes exists if something is hidden, when someone hides something deliberately, it's sometimes obvious exactly what it is he's trying to hide. Eventually, everyone ends up in boxes, so that none of their potential is taken away. And Nozomu's older brother Kei (the artist) turns out to have quite a... unique wife.
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